Symposium XXIII for the Study of the Underdrawing and Technology in Painting
The international and interdisciplinary XXIII Symposium for the Study of Underdrawing and Technology in Painting focuses on 'Cross-Media Perspectives. Technical Studies of Art on Panel, Paper and Parchment (1400-1600)'. The three-day congress will take place from 11 to 13 January 2024 in Leuven and Brussels. You can register now.
The XXIIIrd Symposium for the Study of Underdrawing and Technology in Painting will provide a scientific forum for the presentation of new technical studies in art history, concentrating on art from the Middle Ages and Early Modern period (1400-1600). The conference will focus on the technical examination of art in a variety of media and supports: panel paintings, painting on parchment and canvas, drawings, cartoons, sketches, model- and sketchbooks, prints and manuscript illuminations.
The symposium is organised with several partners: KU Leuven, Illuminare, UCLouvain, Musea Brugge, KIK-IRPA and this year also KBR and M Leuven.
You can register now to attend the event.
More KIK-IRPA news
Chancellor Rolin in 3.5 billion pixels. A masterpiece by Van Eyck as you've never seen it before
The Louvre in Paris recently solicited the services of KIK-IRPA for the exhibition 'Revoir Van Eyck. La Vierge du Chancelier Rolin', which runs until June 17, 2024. The painting of The Madonna of Chancellor Rolin, freshly restored, was captured in images again by our teams. Moreover, it got its own section on the Closer to Van Eyck website.
Third phase Ghent Altarpiece: First results promise stunning outcome
Since May 2023, the third and final phase of the large-scale conservation-restoration campaign of the altarpiece of the Adoration of the Mystic Lamb by the Royal Institute for Cultural Heritage (KIK-IRPA) is ongoing. In recent months, the KIK-IRPA team have been removing non-original varnishes and have carried out a thorough examination of the paint layers underneath. Currently, following the advice of the international commission of experts, they have started removing 16th-century overpaints. Already the first results are breathtakingly beautiful.